
From left to right: “Cenote” (2004), “Yellow Build” (2021) and “Rabbit Hole” (2011) by Kathy Butterly
Kathy Butterly’s “Cenote” (2004)
Clay, glaze, 4×4⅛x4 inches. Eric Brown Collection, Sag Harbor, NY Courtesy of the artist and James Cohan, New York.
“Yellow Build” (2021) by Kathy Butterly
Porcelain, earthenware, glaze, 7½x6⅜x5⅝ inches. Courtesy of the artist and James Cohan, New York.
Kathy Butterly’s “Rabbit Hole” (2011)
Clay, glaze, 4¾x3½x3 inches. Courtesy of the artist and James Cohan, New York.
Kathy Butterly has made dozens and dozens of colorful 6-inch sculptures, but none of them are alike. She couldn’t reproduce one if she tried.
“Never in a million years,” she said.
In her studio, a generic clay mug can end up with almost any color – or pattern of colors and textures. It can be adorned with shapes that look like ribbons, spaghetti, or twisted handles. “Foam”, pom poms or a scalloped edge can cover corrugated or folded containers.
One of the reasons Butterly can’t replicate a room is the uncertainty of what she will have after her multiple trips to the 1800 degree oven, where the paint may crack or change color unexpectedly. And when the clay cools, she says, she will reexamine it and may decide to “take new directions.”
Already in 2002, a New York Times critic declared that Butterly, at 38, was “a genius of clay, sandstone and glaze, a miniaturist of Fabergé refinement and in his way one of the best artists of the world. our time “.
Kathy butterly
Courtesy of the artist
For another show, a reviewer wrote that with her “wacky and beautiful little porcelain vases, you become passionately interested, living on curiosity.”
Curious pieces by the well-respected ceramic sculptor will be part of new exhibitions opening September 3 at the St. Louis Museum of Contemporary Art.
In addition to Butterly’s “Out of one, many” and “Headscapes”, CAM’s exhibits will include paintings, photos and a video shown on its facade: